Lies - Matteo Luis Remix
30s preview
- Key
- 4A · F minor
- BPM
- 122
- Open Key
- 9m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 7:24
- Released
- 2016
- Album
- Smile
- Genre
- House
- Loudness
- -11.5 dB
- Dynamics
- 12.2 dB
- ISRC
- DETB31641024
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Liesoriginal4B · 120
Against the original (4B at 120 BPM), this version runs 2 BPM faster and moves the key from 4B to 4A.
Lies - Matteo Luis Remix is a club-tempo house track in F minor (4A) at 122 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. More underground than 99% of Marlon Hoffstadt's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 96% of Marlon Hoffstadt's catalogue
- Low end:
- more bass-heavy than 92% of Marlon Hoffstadt's catalogue
- Energy:
- calmer than 87% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Lies - Matteo Luis Remix in?
Lies - Matteo Luis Remix by Marlon Hoffstadt is in F minor, or 4A on the Camelot wheel.
What BPM is Lies - Matteo Luis Remix?
Lies - Matteo Luis Remix runs at 122 BPM, a club-tempo track.
What mixes well with Lies - Matteo Luis Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Lies - Matteo Luis Remix good for peak time?
With energy 61 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 122 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
