With Hindsight
30s preview
- BPM
- 122
- Open Key
- 9d
- Energy
- 61/100
- Pop
- 0/100
- Length
- 5:57
- Released
- 2012
- Album
- Traces, Pt. 1
- Genre
- Techno
- Loudness
- -10.3 dB
- Dynamics
- 10.0 dB
- ISRC
- DEH741211190
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- With Hindsightoriginal4B · 122
With Hindsight is a club-tempo techno track in A♭ major (4B) at 122 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Monika Kruse's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 95% of Monika Kruse's catalogue
- Low end:
- more bass-heavy than 83% of Monika Kruse's catalogue
- Energy:
- calmer than 81% of Monika Kruse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is With Hindsight in?
With Hindsight by Monika Kruse is in A♭ major, or 4B on the Camelot wheel.
What BPM is With Hindsight?
With Hindsight runs at 122 BPM, a club-tempo track.
What mixes well with With Hindsight?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is With Hindsight good for peak time?
With energy 61 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 122 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More techno
More from Monika Kruse
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.