I Keep Calling (club mix)
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 60/100
- Pop
- 2/100
- Length
- 6:51
- Released
- 2017
- Genre
- House
- Loudness
- -10.0 dB
- Dynamics
- 8.9 dB
- ISRC
- DEQ321700391
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Keep Calling (club mix): club-tempo house, B♭ minor (3A), 122 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More bass-heavy than 94% of Wankelmut's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 86% of Wankelmut's catalogue
- Brightness:
- darker than 86% of Wankelmut's catalogue
- Groove:
- groovier than 78% of Wankelmut's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is I Keep Calling (club mix) in?
I Keep Calling (club mix) by Wankelmut is in B♭ minor, or 3A on the Camelot wheel.
What BPM is I Keep Calling (club mix)?
I Keep Calling (club mix) runs at 122 BPM, a club-tempo track.
What mixes well with I Keep Calling (club mix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is I Keep Calling (club mix) good for peak time?
With energy 60 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Line Of Fire (feat. Karin Park) [Dance Cult Remix] by Booka Shade cover art](https://i.scdn.co/image/ab67616d00001e0292e8a11b85530fdcb97198c1){kind=small}
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Wankelmut
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
