The Weekend Starts Here - Matthew Anthony Sunday Remix by Fatboy Slim cover art

The Weekend Starts Here - Matthew Anthony Sunday Remix

Fatboy Slim

30s preview

Key
1A · A♭ minor
BPM
124
Open Key
6m
Energy
90/100
Pop
0/100
Length
6:31
Released
2019
Album
The Weekend Starts Here (Matthew Anthony Remixes)
Genre
Big Beat
Loudness
-11.2 dB
Dynamics
11.1 dB
ISRC
GB5KW1904206

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 81 BPM), this version runs 43 BPM faster and moves the key from 11A to 1A.

The Weekend Starts Here - Matthew Anthony Sunday Remix is a club-tempo big beat track in A♭ minor (1A) at 124 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Fatboy Slim's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 97% of Fatboy Slim's catalogue
Groove:
less groove-driven than 80% of Fatboy Slim's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood42Balanced
Groove61
Acoustic0
Instrumental79
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is The Weekend Starts Here - Matthew Anthony Sunday Remix in?

The Weekend Starts Here - Matthew Anthony Sunday Remix by Fatboy Slim is in A♭ minor, or 1A on the Camelot wheel.

What BPM is The Weekend Starts Here - Matthew Anthony Sunday Remix?

The Weekend Starts Here - Matthew Anthony Sunday Remix runs at 124 BPM, a club-tempo track.

What mixes well with The Weekend Starts Here - Matthew Anthony Sunday Remix?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is The Weekend Starts Here - Matthew Anthony Sunday Remix good for peak time?

With energy 90 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More big beat

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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