Micheal Jackson by Fatboy Slim cover art

Micheal Jackson

Fatboy Slim

30s preview

Key
7B · F major
BPM
125
Open Key
12d
Energy
85/100
Pop
0/100
Length
5:49
Released
1996
Album
Going Out Of My Head
Genre
Big Beat
Loudness
-8.1 dB
Dynamics
12.7 dB
ISRC
GBBMQ9700012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Micheal Jackson is a club-tempo big beat track in F major (7B) at 125 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 1996 production that still circulates in sets. More underground than 99% of Fatboy Slim's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 76% of Fatboy Slim's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood62Balanced
Groove62
Acoustic7
Instrumental0
Live44
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Micheal Jackson in?

Micheal Jackson by Fatboy Slim is in F major, or 7B on the Camelot wheel.

What BPM is Micheal Jackson?

Micheal Jackson runs at 125 BPM, a club-tempo track.

What mixes well with Micheal Jackson?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Micheal Jackson good for peak time?

With energy 85 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 125 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 85/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More big beat

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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