The Weekend Starts Here - Matthew Anthony Friday Radio Edit by Fatboy Slim cover art

The Weekend Starts Here - Matthew Anthony Friday Radio Edit

Fatboy Slim

30s preview

Key
4B · A♭ major
BPM
126
Open Key
9d
Energy
87/100
Pop
0/100
Length
3:13
Released
2019
Album
The Weekend Starts Here (Matthew Anthony Remixes)
Genre
Big Beat
Loudness
-10.1 dB
Dynamics
10.6 dB
ISRC
GB5KW1904201

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 81 BPM), this version runs 45 BPM faster and moves the key from 11A to 4B.

The Weekend Starts Here - Matthew Anthony Friday Radio Edit runs 126 BPM in A♭ major (4B), a club-tempo big beat record. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Fatboy Slim's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more bass-heavy than 91% of Fatboy Slim's catalogue
Brightness:
brighter than 76% of Fatboy Slim's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood75Bright
Groove75
Acoustic0
Instrumental91
Live9
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is The Weekend Starts Here - Matthew Anthony Friday Radio Edit in?

The Weekend Starts Here - Matthew Anthony Friday Radio Edit by Fatboy Slim is in A♭ major, or 4B on the Camelot wheel.

What BPM is The Weekend Starts Here - Matthew Anthony Friday Radio Edit?

The Weekend Starts Here - Matthew Anthony Friday Radio Edit runs at 126 BPM, a club-tempo track.

What mixes well with The Weekend Starts Here - Matthew Anthony Friday Radio Edit?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is The Weekend Starts Here - Matthew Anthony Friday Radio Edit good for peak time?

With energy 87 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More big beat

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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