Shut ’Em Up (The Prodigy vs Public Enemy vs Manfred Mann)
- BPM
- 200
- Half-time
- 100
- Open Key
- 7d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 4:20
- Released
- 2015
- Genre
- Big Beat
- Loudness
- -3.0 dB
- ISRC
- GBCEJ1501030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 200 BPM in F♯ major (2B), Shut ’Em Up (The Prodigy vs Public Enemy vs Manfred Mann) is a big beat production. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- faster than 98% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Shut ’Em Up (The Prodigy vs Public Enemy vs Manfred Mann) in?
Shut ’Em Up (The Prodigy vs Public Enemy vs Manfred Mann) by The Prodigy is in F♯ major, or 2B on the Camelot wheel.
What BPM is Shut ’Em Up (The Prodigy vs Public Enemy vs Manfred Mann)?
Shut ’Em Up (The Prodigy vs Public Enemy vs Manfred Mann) runs at 200 BPM.
What mixes well with Shut ’Em Up (The Prodigy vs Public Enemy vs Manfred Mann)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Shut ’Em Up (The Prodigy vs Public Enemy vs Manfred Mann) good for peak time?
With energy 94 out of 100 at 200 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 200 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 188-212 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 200 — beatmatch without a big tempo pull.
More big beat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 200 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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