Mindcloud - Kincaid’s Dissonance Remix by Third Son cover art

Mindcloud - Kincaid’s Dissonance Remix

Third Son

30s preview

Key
11B · A major
BPM
95
Double-time
190
Open Key
4d
Energy
91/100
Pop
0/100
Length
5:49
Released
2020
Album
20 Days Remixes Vol. 1
Genre
Tech House
Loudness
-11.1 dB
Dynamics
22.5 dB
ISRC
UKFMN1600111

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (12A at 128 BPM), this version runs 33 BPM slower and moves the key from 12A to 11B.

Mindcloud - Kincaid’s Dissonance Remix runs 95 BPM in A major (11B), a slow-groove tempo tech house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 23 dB). More underground than 99% of Third Son's catalogue.

Tempo:
slower than 98% of Third Son's catalogue
Energy:
hotter than 95% of Third Son's catalogue
Low end:
more treble-tilted than 89% of Third Son's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood19Dark
Groove74
Acoustic14
Instrumental88
Live14
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Mindcloud - Kincaid’s Dissonance Remix in?

Mindcloud - Kincaid’s Dissonance Remix by Third Son is in A major, or 11B on the Camelot wheel.

What BPM is Mindcloud - Kincaid’s Dissonance Remix?

Mindcloud - Kincaid’s Dissonance Remix runs at 95 BPM, a slow-groove tempo track.

What mixes well with Mindcloud - Kincaid’s Dissonance Remix?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Mindcloud - Kincaid’s Dissonance Remix good for peak time?

With energy 91 out of 100 at 95 BPM, it works best as a floor-filler.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 95 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 95 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Third Son

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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