Troubled Waters - Zed Bias UKG Mix; Radio Edit
30s preview
- Key
- 4A · F minor
- BPM
- 135
- Open Key
- 9m
- Energy
- 67/100
- Pop
- 25/100
- Length
- 3:51
- Released
- 2023
- Album
- Troubled Waters (Zed Bias Remixes)
- Genre
- Uk Garage
- Loudness
- -7.7 dB
- Dynamics
- 9.8 dB
- ISRC
- GBAHT2300924
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Troubled Waters - Zed Bias UKG Mix; Mainoriginal4A · 135
- Troubled Waters - Zed Bias UKG Mix; Dubversion4B · 135
Against the original (4A at 135 BPM), this version holds the same tempo in the same key.
Troubled Waters - Zed Bias UKG Mix; Radio Edit is a driving up-tempo uk garage track in F minor (4A) at 135 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 98% of Zed Bias's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Troubled Waters - Zed Bias UKG Mix; Radio Edit in?
Troubled Waters - Zed Bias UKG Mix; Radio Edit by Zed Bias is in F minor, or 4A on the Camelot wheel.
What BPM is Troubled Waters - Zed Bias UKG Mix; Radio Edit?
Troubled Waters - Zed Bias UKG Mix; Radio Edit runs at 135 BPM, a driving up-tempo track.
What mixes well with Troubled Waters - Zed Bias UKG Mix; Radio Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Troubled Waters - Zed Bias UKG Mix; Radio Edit good for peak time?
With energy 67 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 135 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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