Moonlight by Sammy Virji cover art

Moonlight

Sammy Virji

30s preview

Key
3A · B♭ minor
BPM
135
Open Key
8m
Energy
65/100
Pop
47/100
Length
5:46
Released
2023
Genre
Uk Garage
Loudness
-6.7 dB
Dynamics
10.4 dB
ISRC
GBUM72311119

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo uk garage cut, Moonlight sits in B♭ minor (3A) at 135 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 85% of Sammy Virji's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 83% of Sammy Virji's catalogue
Brightness:
darker than 80% of Sammy Virji's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood41Balanced
Groove89
Acoustic19
Instrumental85
Live48
Speech21

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Moonlight in?

Moonlight by Sammy Virji is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Moonlight?

Moonlight runs at 135 BPM, a driving up-tempo track.

What mixes well with Moonlight?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Moonlight good for peak time?

With energy 65 out of 100 at 135 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

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#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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