Rock the Boat by Zed Bias cover art

Rock the Boat

Zed Bias

30s preview

Key
1B · B major
BPM
117
Open Key
6d
Energy
88/100
Pop
18/100
Length
3:32
Released
2021
Genre
Uk Garage
Loudness
-4.2 dB
Dynamics
14.0 dB
ISRC
QMDA72189848

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Rock the Boat runs 117 BPM in B major (1B), a mid-tempo uk garage record. It reads as bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 97% of Zed Bias's catalogue. In a set it works best as a mid-set roller.

Reach:
better known than 95% of Zed Bias's catalogue
Groove:
less groove-driven than 89% of Zed Bias's catalogue
Tempo:
slower than 86% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood82Bright
Groove56
Acoustic6
Instrumental1
Live7
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
24%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Rock the Boat in?

Rock the Boat by Zed Bias is in B major, or 1B on the Camelot wheel.

What BPM is Rock the Boat?

Rock the Boat runs at 117 BPM, a mid-tempo track.

What mixes well with Rock the Boat?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Rock the Boat good for peak time?

With energy 88 out of 100 at 117 BPM, it works best as a mid-set roller.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

#TrackKey·BPM

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 117 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 117 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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