The Music - Vocal Mix Edit
30s preview
- BPM
- 118
- Open Key
- 6m
- Energy
- 65/100
- Pop
- 3/100
- Length
- 3:16
- Released
- 2022
- Album
- The Music
- Genre
- Uk Garage
- Loudness
- -8.3 dB
- Dynamics
- 14.4 dB
- ISRC
- GB7GV2190181
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Music - Shur-I-Kan Vocal Mix Editversion3B · 122
- The Music - Vocal Mixoriginal3A · 118
- The Music - Shur-I-Kan Vocal Mixoriginal3B · 122
- The Music - Shur-I-Kan Instrumental Mixoriginal3B · 122
- The Music - Instrumental Mixoriginal1A · 118
- The Music - Zed Bias Dubversion7B · 126
Against the original (3A at 118 BPM), this version holds the same tempo and moves the key from 3A to 1A.
A mid-tempo uk garage cut, The Music - Vocal Mix Edit sits in A♭ minor (1A) at 118 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Groovier than 98% of Zed Bias's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 85% of Zed Bias's catalogue
- Brightness:
- brighter than 80% of Zed Bias's catalogue
- Energy:
- calmer than 76% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Music - Vocal Mix Edit in?
The Music - Vocal Mix Edit by Zed Bias is in A♭ minor, or 1A on the Camelot wheel.
What BPM is The Music - Vocal Mix Edit?
The Music - Vocal Mix Edit runs at 118 BPM, a mid-tempo track.
What mixes well with The Music - Vocal Mix Edit?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is The Music - Vocal Mix Edit good for peak time?
With energy 65 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 118 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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