I've Still Got Sunshine - Michael The Lion Remix
- BPM
- 117
- Open Key
- 5m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 6:36
- Released
- 2014
- Album
- I've Still Got Sunshine
- Genre
- Uk Garage
- Loudness
- -10.0 dB
- ISRC
- USYBL1400422
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I've Still Got Sunshineoriginal3B · 125
- I've Still Got Sunshine - Pat Lok Remixremix12A · 120
- I've Still Got Sunshine - Pittsburgh Track Authority Remixremix9B · 127
Against the original (3B at 125 BPM), this version runs 8 BPM slower and moves the key from 3B to 12A.
I've Still Got Sunshine - Michael The Lion Remix is a mid-tempo uk garage track in D♭ minor (12A) at 117 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. Darker than 99% of Todd Edwards's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Todd Edwards's catalogue
- Tempo:
- slower than 96% of Todd Edwards's catalogue
- Groove:
- less groove-driven than 90% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I've Still Got Sunshine - Michael The Lion Remix in?
I've Still Got Sunshine - Michael The Lion Remix by Todd Edwards is in D♭ minor, or 12A on the Camelot wheel.
What BPM is I've Still Got Sunshine - Michael The Lion Remix?
I've Still Got Sunshine - Michael The Lion Remix runs at 117 BPM, a mid-tempo track.
What mixes well with I've Still Got Sunshine - Michael The Lion Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is I've Still Got Sunshine - Michael The Lion Remix good for peak time?
With energy 83 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
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How to mix it
In 12A at 117 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More uk garage
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More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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