I Hear Music In The Streets - Expansions NYC Dub
- BPM
- 118
- Open Key
- 8d
- Energy
- 78/100
- Pop
- 15/100
- Length
- 4:54
- Released
- 2020
- Album
- I Hear Music In The Streets (Expansions In The NYC Preview 3)
- Genre
- House
- Loudness
- -7.5 dB
- ISRC
- USNRS2039954
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Hear Music In The Streets - Touch Mixoriginal3A · 118
- I Hear Music In The Streets (feat. Unlimited Touch)original3A · 118
- I Hear Music In The Streets (feat. Unlimited Touch) - [Extended Version]version3A · 118
- I Hear Music In The Streets - Expansions NYC Dub 7" Editversion3B · 118
- I Hear Music In The Streets - Boogie Mix 7" Editversion4A · 118
- I Hear Music In The Streets - Classic Boogie Mixoriginal3B · 118
Against the original (3A at 118 BPM), this version holds the same tempo and moves the key from 3A to 3B.
I Hear Music In The Streets - Expansions NYC Dub is a mid-tempo house track in D♭ major (3B) at 118 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Slower than 93% of Louie Vega's catalogue.
- Reach:
- better known than 89% of Louie Vega's catalogue
- Groove:
- groovier than 84% of Louie Vega's catalogue
- Brightness:
- brighter than 82% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Hear Music In The Streets - Expansions NYC Dub in?
I Hear Music In The Streets - Expansions NYC Dub by Louie Vega is in D♭ major, or 3B on the Camelot wheel.
What BPM is I Hear Music In The Streets - Expansions NYC Dub?
I Hear Music In The Streets - Expansions NYC Dub runs at 118 BPM, a mid-tempo track.
What mixes well with I Hear Music In The Streets - Expansions NYC Dub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is I Hear Music In The Streets - Expansions NYC Dub good for peak time?
With energy 78 out of 100 at 118 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![I Hear Music In The Streets (feat. Unlimited Touch) - [Extended Version] by Louie Vega cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/108b673b4a6e0e7dcc12.webp){kind=small}
How to mix it
In 3B at 118 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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