I Know Whats Good For You - Edit
30s preview
- BPM
- 118
- Open Key
- 5d
- Energy
- 80/100
- Pop
- 2/100
- Length
- 4:20
- Released
- 2023
- Album
- I Know Whats Good For You
- Genre
- House
- Loudness
- -8.3 dB
- Dynamics
- 13.1 dB
- ISRC
- DECY62300101
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Know Whats Good For Youoriginal11A · 118
Against the original (11A at 118 BPM), this version holds the same tempo and moves the key from 11A to 12B.
At 118 BPM in E major (12B), I Know Whats Good For You - Edit is a mid-tempo house production. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 93% of Tilman's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I Know Whats Good For You - Edit in?
I Know Whats Good For You - Edit by Tilman is in E major, or 12B on the Camelot wheel.
What BPM is I Know Whats Good For You - Edit?
I Know Whats Good For You - Edit runs at 118 BPM, a mid-tempo track.
What mixes well with I Know Whats Good For You - Edit?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is I Know Whats Good For You - Edit good for peak time?
With energy 80 out of 100 at 118 BPM, it works best as a floor-filler.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 118 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
More from Tilman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
