Escalator - Mark Farina & Homero Espinosa Vocal Mix
30s preview
- BPM
- 118
- Open Key
- 8m
- Energy
- 79/100
- Pop
- 7/100
- Length
- 4:55
- Released
- 2022
- Album
- Escalator (Remixes)
- Genre
- House
- Loudness
- -9.0 dB
- Dynamics
- 10.6 dB
- ISRC
- QM24S2200038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Escalator - Mark Farina & Homero Espinosa Deep Mixoriginal9A · 121
A mid-tempo house cut, Escalator - Mark Farina & Homero Espinosa Vocal Mix sits in B♭ minor (3A) at 118 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 90% of Mark Farina's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 88% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Escalator - Mark Farina & Homero Espinosa Vocal Mix in?
Escalator - Mark Farina & Homero Espinosa Vocal Mix by Mark Farina is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Escalator - Mark Farina & Homero Espinosa Vocal Mix?
Escalator - Mark Farina & Homero Espinosa Vocal Mix runs at 118 BPM, a mid-tempo track.
What mixes well with Escalator - Mark Farina & Homero Espinosa Vocal Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Escalator - Mark Farina & Homero Espinosa Vocal Mix good for peak time?
With energy 79 out of 100 at 118 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 118 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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