Love Make's
30s preview
- BPM
- 98
- Double-time
- 196
- Open Key
- 8d
- Energy
- 26/100
- Pop
- 25/100
- Length
- 4:00
- Released
- 2003
- Genre
- Eurobeat
- Loudness
- -15.0 dB
- Dynamics
- 13.9 dB
- ISRC
- USOM80314102
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 98 BPM in D♭ major (3B), Love Make's is a slow-groove tempo eurobeat production. The feel is subdued and even. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2003 production that still circulates in sets. Calmer than 99% of Mark Farina's catalogue.
- Tempo:
- slower than 99% of Mark Farina's catalogue
- Reach:
- better known than 96% of Mark Farina's catalogue
- Groove:
- groovier than 95% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Love Make's in?
Love Make's by Mark Farina is in D♭ major, or 3B on the Camelot wheel.
What BPM is Love Make's?
Love Make's runs at 98 BPM, a slow-groove tempo track.
What mixes well with Love Make's?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Love Make's good for peak time?
With energy 26 out of 100 at 98 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 98 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 92-104 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 98 — beatmatch without a big tempo pull.
More eurobeat
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 98 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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