One - Interlude
30s preview
- BPM
- 98
- Double-time
- 196
- Open Key
- 3m
- Energy
- 63/100
- Pop
- 12/100
- Length
- 1:52
- Released
- 2021
- Album
- Isolated Samples
- Genre
- Eurobeat
- Loudness
- -13.6 dB
- Dynamics
- 13.5 dB
- ISRC
- FR48Z2100079
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 98 BPM in B minor (10A), One - Interlude is a slow-groove tempo eurobeat production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 99% of Mark Farina's catalogue. For programming, treat it as an opener or closing-set piece.
- Reach:
- better known than 85% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is One - Interlude in?
One - Interlude by Mark Farina is in B minor, or 10A on the Camelot wheel.
What BPM is One - Interlude?
One - Interlude runs at 98 BPM, a slow-groove tempo track.
What mixes well with One - Interlude?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is One - Interlude good for peak time?
With energy 63 out of 100 at 98 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 98 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 92-104 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 98 — beatmatch without a big tempo pull.
More eurobeat
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 98 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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