Hacia delante
- BPM
- 100
- Double-time
- 200
- Open Key
- 6m
- Energy
- 58/100
- Pop
- 0/100
- Length
- 3:53
- Released
- 2019
- Genre
- Cumbia
- Loudness
- -8.9 dB
- ISRC
- GBGLW1800238
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hacia delante: slow-groove tempo cumbia, A♭ minor (1A), 100 BPM. The groove is strong and floor-ready. It is vocal-led. More underground than 99% of Nicola Cruz's catalogue.
- Brightness:
- brighter than 94% of Nicola Cruz's catalogue
- Groove:
- groovier than 90% of Nicola Cruz's catalogue
- Tempo:
- slower than 88% of Nicola Cruz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hacia delante in?
Hacia delante by Nicola Cruz is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Hacia delante?
Hacia delante runs at 100 BPM, a slow-groove tempo track.
What mixes well with Hacia delante?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Hacia delante good for peak time?
With energy 58 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 100 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More cumbia
More from Nicola Cruz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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