Aima
- Key
- 9A · E minor
- BPM
- 192
- Half-time
- 96
- Open Key
- 2m
- Energy
- 59/100
- Pop
- 7/100
- Length
- 4:32
- Released
- 2020
- Genre
- Cumbia
- Loudness
- -10.5 dB
- ISRC
- GBKQU2124967
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Aima is a cumbia track in E minor (9A) at 192 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Faster than 97% of Nicola Cruz's catalogue. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Aima in?
Aima by Nicola Cruz is in E minor, or 9A on the Camelot wheel.
What BPM is Aima?
Aima runs at 192 BPM.
What mixes well with Aima?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Aima good for peak time?
With energy 59 out of 100 at 192 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 192 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 180-204 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 192 — beatmatch without a big tempo pull.
More cumbia
More from Nicola Cruz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 192 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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