Syncopated City Revisited
30s preview
- Key
- 8B · C major
- BPM
- 194
- Half-time
- 97
- Open Key
- 1d
- Energy
- 75/100
- Pop
- 5/100
- Length
- 7:05
- Released
- 2008
- Genre
- Drum N Bass
- Loudness
- -7.6 dB
- Dynamics
- 23.7 dB
- ISRC
- GBCJY1800226
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Syncopated City Revisited: drum n bass, C major (8B), 194 BPM. Tonally it lands dark and driving. It is vocal-led. The master keeps unusual dynamic range for club music (crest 24 dB). A 2008 production that still circulates in sets. Faster than 99% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- better known than 81% of London Elektricity's catalogue
- Groove:
- groovier than 80% of London Elektricity's catalogue
- Low end:
- more treble-tilted than 75% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Syncopated City Revisited in?
Syncopated City Revisited by London Elektricity is in C major, or 8B on the Camelot wheel.
What BPM is Syncopated City Revisited?
Syncopated City Revisited runs at 194 BPM.
What mixes well with Syncopated City Revisited?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Syncopated City Revisited good for peak time?
With energy 75 out of 100 at 194 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 194 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 182-206 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 194 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 194 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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