Falling Out of Consciousness
30s preview
- BPM
- 177
- Half-time
- 89
- Open Key
- 8m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 4:50
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -8.7 dB
- Dynamics
- 14.8 dB
- ISRC
- GBCJY1300177
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Falling Out of Consciousness runs 177 BPM in B♭ minor (3A), a drum n bass record. It reads as dark and driving. Vocals read as instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2013 production that still circulates in sets. More underground than 99% of Etherwood's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more bass-heavy than 97% of Etherwood's catalogue
- Tempo:
- faster than 96% of Etherwood's catalogue
- Groove:
- groovier than 86% of Etherwood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Falling Out of Consciousness in?
Falling Out of Consciousness by Etherwood is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Falling Out of Consciousness?
Falling Out of Consciousness runs at 177 BPM.
What mixes well with Falling Out of Consciousness?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Falling Out of Consciousness good for peak time?
With energy 62 out of 100 at 177 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 177 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 166-188 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 177 — beatmatch without a big tempo pull.
More drum n bass
More from Etherwood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 177 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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