Sinking Sand by Etherwood cover art

Sinking Sand

Etherwood

30s preview

Key
9A · E minor
BPM
174
Half-time
87
Open Key
2m
Energy
83/100
Pop
47/100
Length
3:26
Released
2025
Genre
Drum N Bass
Loudness
-2.7 dB
Dynamics
11.2 dB
ISRC
GB2LD2410582

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Sinking Sand: drum n bass, E minor (9A), 174 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 98% of Etherwood's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
brighter than 86% of Etherwood's catalogue
Groove:
groovier than 83% of Etherwood's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood22Dark
Groove57
Acoustic27
Instrumental24
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Sinking Sand in?

Sinking Sand by Etherwood is in E minor, or 9A on the Camelot wheel.

What BPM is Sinking Sand?

Sinking Sand runs at 174 BPM.

What mixes well with Sinking Sand?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Sinking Sand good for peak time?

With energy 83 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 174 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Etherwood

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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