(I Don't Want To) Fly Away
30s preview
- Key
- 1B · B major
- BPM
- 174
- Half-time
- 87
- Open Key
- 6d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 4:25
- Released
- 2025
- Genre
- Drum N Bass
- Loudness
- -2.8 dB
- Dynamics
- 10.9 dB
- ISRC
- GXFRF2510002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
(I Don't Want To) Fly Away: drum n bass, B major (1B), 174 BPM. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of London Elektricity's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 94% of London Elektricity's catalogue
- Brightness:
- brighter than 87% of London Elektricity's catalogue
- Tempo:
- faster than 82% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is (I Don't Want To) Fly Away in?
(I Don't Want To) Fly Away by London Elektricity is in B major, or 1B on the Camelot wheel.
What BPM is (I Don't Want To) Fly Away?
(I Don't Want To) Fly Away runs at 174 BPM.
What mixes well with (I Don't Want To) Fly Away?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is (I Don't Want To) Fly Away good for peak time?
With energy 86 out of 100 at 174 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 174 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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