Between the Lines
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 8m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 3:47
- Released
- 2010
- Album
- Resistance
- Genre
- Drum N Bass
- Loudness
- -4.3 dB
- Dynamics
- 11.3 dB
- ISRC
- GBXJH1000009
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 174 BPM in B♭ minor (3A), Between the Lines is a drum n bass production. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2010 production that still circulates in sets. More underground than 99% of Break's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 89% of Break's catalogue
- Brightness:
- brighter than 89% of Break's catalogue
- Energy:
- calmer than 77% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Between the Lines in?
Between the Lines by Break is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Between the Lines?
Between the Lines runs at 174 BPM.
What mixes well with Between the Lines?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Between the Lines good for peak time?
With energy 86 out of 100 at 174 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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