Point of No Return by London Elektricity cover art

Point of No Return

London Elektricity

30s preview

Key
9B · G major
BPM
173
Half-time
87
Open Key
2d
Energy
86/100
Pop
0/100
Length
6:25
Released
2008
Genre
Drum N Bass
Loudness
-6.0 dB
Dynamics
24.3 dB
ISRC
GBCJY1800222

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Point of No Return is a drum n bass track in G major (9B) at 173 BPM. It reads as punchy, neutral in mood. The master keeps unusual dynamic range for club music (crest 24 dB). A 2008 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
groovier than 89% of London Elektricity's catalogue
Low end:
more treble-tilted than 85% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood44Balanced
Groove66
Acoustic2
Instrumental69
Live5
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Point of No Return in?

Point of No Return by London Elektricity is in G major, or 9B on the Camelot wheel.

What BPM is Point of No Return?

Point of No Return runs at 173 BPM.

What mixes well with Point of No Return?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Point of No Return good for peak time?

With energy 86 out of 100 at 173 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 173 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 173 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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