Don't Stop by London Elektricity cover art

30s preview

Key
4A · F minor
BPM
174
Half-time
87
Open Key
9m
Energy
90/100
Pop
36/100
Length
3:53
Released
2024
Genre
Drum N Bass
Loudness
-3.5 dB
Dynamics
10.5 dB
ISRC
GBMA22368560

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Don't Stop: drum n bass, F minor (4A), 174 BPM. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 96% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.

Groove:
less groove-driven than 94% of London Elektricity's catalogue
Brightness:
brighter than 89% of London Elektricity's catalogue
Tempo:
faster than 82% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood69Bright
Groove33
Acoustic0
Instrumental18
Live58
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Don't Stop in?

Don't Stop by London Elektricity is in F minor, or 4A on the Camelot wheel.

What BPM is Don't Stop?

Don't Stop runs at 174 BPM.

What mixes well with Don't Stop?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Don't Stop good for peak time?

With energy 90 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 174 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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