Out of This World by London Elektricity cover art

Out of This World

London Elektricity

30s preview

Key
8A · A minor
BPM
87
Double-time
174
Open Key
1m
Energy
90/100
Pop
18/100
Length
5:39
Released
2005
Genre
Drum N Bass
Loudness
-3.6 dB
Dynamics
20.3 dB
ISRC
GBCJY0510020

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A downtempo drum n bass cut, Out of This World sits in A minor (8A) at 87 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 20 dB). A 2005 production that still circulates in sets. More treble-tilted than 94% of London Elektricity's catalogue. In a set it works best as an opener or closing-set piece.

Tempo:
slower than 90% of London Elektricity's catalogue
Reach:
better known than 89% of London Elektricity's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood27Dark
Groove58
Acoustic0
Instrumental0
Live8
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
25%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
23%
High
2.5-11 kHz

FAQ

What key is Out of This World in?

Out of This World by London Elektricity is in A minor, or 8A on the Camelot wheel.

What BPM is Out of This World?

Out of This World runs at 87 BPM, a downtempo track.

What mixes well with Out of This World?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Out of This World good for peak time?

With energy 90 out of 100 at 87 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 87 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 82-92 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 87 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from London Elektricity

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 87 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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