Impossible To Say - Etherwood Remix
- Key
- 9A · E minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 2m
- Energy
- 91/100
- Pop
- 1/100
- Length
- 4:30
- Released
- 2016
- Album
- Impossible To Say (Etherwood Remix)
- Genre
- Drum N Bass
- Loudness
- -4.4 dB
- ISRC
- GBCJY1600152
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Impossible To Say - Acoustic Mixoriginal9A · 85
- Impossible To Sayoriginal9A · 173
Against the original (9A at 173 BPM), this version runs 1 BPM faster in the same key.
At 174 BPM in E minor (9A), Impossible To Say - Etherwood Remix is a drum n bass production. The feel is dark and driving. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Darker than 84% of London Elektricity's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 82% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Impossible To Say - Etherwood Remix in?
Impossible To Say - Etherwood Remix by London Elektricity is in E minor, or 9A on the Camelot wheel.
What BPM is Impossible To Say - Etherwood Remix?
Impossible To Say - Etherwood Remix runs at 174 BPM.
What mixes well with Impossible To Say - Etherwood Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Impossible To Say - Etherwood Remix good for peak time?
With energy 91 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 174 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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