Redlines - Break Remix
30s preview
- Key
- 8A · A minor
- BPM
- 87
- Double-time
- 174
- Open Key
- 1m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 5:44
- Released
- 2010
- Album
- Redlines (Break Remix) / Scaremonger
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- Dynamics
- 12.3 dB
- ISRC
- GBVPL1000042
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Redlines - Break Remix: downtempo drum n bass, A minor (8A), 87 BPM. The feel is punchy, neutral in mood. It leans atmospheric over strictly danceable. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. More underground than 99% of Break's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 98% of Break's catalogue
- Tempo:
- slower than 96% of Break's catalogue
- Low end:
- more treble-tilted than 91% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Redlines - Break Remix in?
Redlines - Break Remix by Break is in A minor, or 8A on the Camelot wheel.
What BPM is Redlines - Break Remix?
Redlines - Break Remix runs at 87 BPM, a downtempo track.
What mixes well with Redlines - Break Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Redlines - Break Remix good for peak time?
With energy 92 out of 100 at 87 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 87 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 82-92 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 87 — beatmatch without a big tempo pull.
More drum n bass
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 87 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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![ロンドンは夜８時 [LON 8PM <-> TYO 4AM] featuring AMWE [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cac52b8e1bfdd7ed1e68.webp){kind=small}
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