I Got You (feat. Tyler Daley)
- Key
- 7B · F major
- BPM
- 170
- Half-time
- 85
- Open Key
- 12d
- Energy
- 83/100
- Pop
- 28/100
- Length
- 4:23
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -3.3 dB
- ISRC
- ZZOPM2105189
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Got You (feat. Tyler Daley) runs 170 BPM in F major (7B), a very fast drum n bass record. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. Better known than 96% of Break's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 82% of Break's catalogue
- Brightness:
- darker than 82% of Break's catalogue
- Tempo:
- slower than 81% of Break's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Got You (feat. Tyler Daley) in?
I Got You (feat. Tyler Daley) by Break is in F major, or 7B on the Camelot wheel.
What BPM is I Got You (feat. Tyler Daley)?
I Got You (feat. Tyler Daley) runs at 170 BPM, a very fast track.
What mixes well with I Got You (feat. Tyler Daley)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is I Got You (feat. Tyler Daley) good for peak time?
With energy 83 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 170 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Break
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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