ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix)
- Key
- 8B · C major
- BPM
- 170
- Half-time
- 85
- Open Key
- 1d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 5:25
- Released
- 2011
- Album
- Yikes! (Japan Special EP)
- Genre
- Drum N Bass
- Loudness
- -6.3 dB
- ISRC
- USA371251072
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix) runs 170 BPM in C major (8B), a very fast drum n bass record. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. A 2011 production that still circulates in sets. More underground than 99% of London Elektricity's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 93% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix) in?
ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix) by London Elektricity is in C major, or 8B on the Camelot wheel.
What BPM is ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix)?
ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix) runs at 170 BPM, a very fast track.
What mixes well with ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix) good for peak time?
With energy 80 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 170 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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