Part of Me by Nia Archives cover art

Part of Me

Nia Archives

30s preview

Key
2A · E♭ minor
BPM
170
Half-time
85
Open Key
7m
Energy
76/100
Pop
33/100
Length
2:09
Released
2021
Genre
Jungle
Loudness
-6.5 dB
Dynamics
17.3 dB
ISRC
FR10S2275810

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A very fast jungle cut, Part of Me sits in E♭ minor (2A) at 170 BPM. It reads as dark and driving. It is vocal-led. Spoken-word passages run through it. Its spectrum is focused in the upper-mids, present and forward. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 99% of Nia Archives's catalogue. In a set it works best as a high-intensity peak cut.

Energy:
calmer than 95% of Nia Archives's catalogue
Brightness:
darker than 89% of Nia Archives's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood21Dark
Groove59
Acoustic36
Instrumental0
Live10
Speech42

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
12%
Low
30-130 Hz
39%
Low-mid
130-570 Hz
43%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is Part of Me in?

Part of Me by Nia Archives is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Part of Me?

Part of Me runs at 170 BPM, a very fast track.

What mixes well with Part of Me?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Part of Me good for peak time?

With energy 76 out of 100 at 170 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 170 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 170 — beatmatch without a big tempo pull.

#TrackKey·BPM

More jungle

#TrackKey·BPM

More from Nia Archives

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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