Digital - 2008 Re-edit
- BPM
- 170
- Half-time
- 85
- Open Key
- 8m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 6:35
- Released
- 2008
- Album
- Roni Size Reprazent - New Forms2
- Genre
- Drum N Bass
- Loudness
- -5.2 dB
- ISRC
- GBUM70801696
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Digitaloriginal3A · 167
Against the original (3A at 167 BPM), this version runs 3 BPM faster in the same key.
Digital - 2008 Re-edit runs 170 BPM in B♭ minor (3A), a very fast drum n bass record. The mix is almost entirely instrumental. A 2008 production that still circulates in sets. More underground than 99% of Roni Size's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 86% of Roni Size's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Digital - 2008 Re-edit in?
Digital - 2008 Re-edit by Roni Size is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Digital - 2008 Re-edit?
Digital - 2008 Re-edit runs at 170 BPM, a very fast track.
What mixes well with Digital - 2008 Re-edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Digital - 2008 Re-edit good for peak time?
With energy 99 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 170 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Roni Size
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix) [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
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