Holy Star
30s preview
- BPM
- 170
- Half-time
- 85
- Open Key
- 4m
- Energy
- 98/100
- Pop
- 15/100
- Length
- 4:02
- Released
- 2018
- Genre
- Drum N Bass
- Loudness
- -4.9 dB
- Dynamics
- 15.1 dB
- ISRC
- GBCJY1800095
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Holy Star is a very fast drum n bass track in F♯ minor (11A) at 170 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2018 production that still circulates in sets. Brighter than 91% of Danny Byrd's catalogue.
- Reach:
- better known than 86% of Danny Byrd's catalogue
- Energy:
- hotter than 79% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Holy Star in?
Holy Star by Danny Byrd is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Holy Star?
Holy Star runs at 170 BPM, a very fast track.
What mixes well with Holy Star?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Holy Star good for peak time?
With energy 98 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 170 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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