Money Calling Me by Danny Byrd cover art

Money Calling Me

Danny Byrd

Key
7A · D minor
BPM
174
Half-time
87
Open Key
12m
Energy
90/100
Pop
18/100
Length
4:09
Released
2018
Genre
Drum N Bass
Loudness
-4.0 dB
ISRC
GBCJY1800098

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in D minor (7A), Money Calling Me is a drum n bass production. It reads as bright and euphoric. The master is loud and heavily compressed. A 2018 production that still circulates in sets. Better known than 89% of Danny Byrd's catalogue. For programming, treat it as an opener or closing-set piece.

Brightness:
brighter than 85% of Danny Byrd's catalogue
Energy:
calmer than 80% of Danny Byrd's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood70Bright
Groove54
Acoustic0
Instrumental52
Live29
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Money Calling Me in?

Money Calling Me by Danny Byrd is in D minor, or 7A on the Camelot wheel.

What BPM is Money Calling Me?

Money Calling Me runs at 174 BPM.

What mixes well with Money Calling Me?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Money Calling Me good for peak time?

With energy 90 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 174 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Danny Byrd

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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