Pink Champagne
30s preview
- Key
- 9A · E minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 2m
- Energy
- 86/100
- Pop
- 39/100
- Length
- 2:53
- Released
- 2024
- Genre
- Drum N Bass
- Loudness
- -4.8 dB
- Dynamics
- 11.6 dB
- ISRC
- US38Y2407207
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pink Champagne - Stripped Editversion9A · 168
At 174 BPM in E minor (9A), Pink Champagne is a drum n bass production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 95% of Danny Byrd's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- calmer than 85% of Danny Byrd's catalogue
- Brightness:
- darker than 85% of Danny Byrd's catalogue
- Low end:
- more bass-heavy than 82% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Pink Champagne in?
Pink Champagne by Danny Byrd is in E minor, or 9A on the Camelot wheel.
What BPM is Pink Champagne?
Pink Champagne runs at 174 BPM.
What mixes well with Pink Champagne?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Pink Champagne good for peak time?
With energy 86 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 174 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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