Pink Champagne - Stripped Edit
- Key
- 9A · E minor
- BPM
- 168
- Half-time
- 84
- Open Key
- 2m
- Energy
- 46/100
- Pop
- 12/100
- Length
- 3:44
- Released
- 2024
- Album
- Pink Champagne (Stripped Edit)
- Genre
- Drum N Bass
- Loudness
- -6.8 dB
- ISRC
- US38Y2410924
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pink Champagneoriginal9A · 174
Against the original (9A at 174 BPM), this version runs 6 BPM slower in the same key.
At 168 BPM in E minor (9A), Pink Champagne - Stripped Edit is a very fast drum n bass production. Tonally it lands dark and steady. The groove is loose and less beat-driven. It is vocal-led. Less groove-driven than 99% of Danny Byrd's catalogue. For programming, treat it as a high-intensity peak cut.
- Energy:
- calmer than 95% of Danny Byrd's catalogue
- Brightness:
- darker than 92% of Danny Byrd's catalogue
- Reach:
- better known than 78% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Pink Champagne - Stripped Edit in?
Pink Champagne - Stripped Edit by Danny Byrd is in E minor, or 9A on the Camelot wheel.
What BPM is Pink Champagne - Stripped Edit?
Pink Champagne - Stripped Edit runs at 168 BPM, a very fast track.
What mixes well with Pink Champagne - Stripped Edit?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Pink Champagne - Stripped Edit good for peak time?
With energy 46 out of 100 at 168 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 168 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 158-178 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 168 — beatmatch without a big tempo pull.
More drum n bass
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 168 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.