Let's Get It On - 2008 Re-edit
30s preview
- BPM
- 169
- Half-time
- 85
- Open Key
- 8d
- Energy
- 7/100
- Pop
- 0/100
- Length
- 1:41
- Released
- 2008
- Album
- Roni Size Reprazent - New Forms2
- Genre
- Drum N Bass
- Loudness
- -17.3 dB
- Dynamics
- 12.4 dB
- ISRC
- GBUM70801688
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let's Get It Onoriginal3B · 170
Against the original (3B at 170 BPM), this version runs 1 BPM slower in the same key.
Let's Get It On - 2008 Re-edit is a very fast drum n bass track in D♭ major (3B) at 169 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. Calmer than 99% of Roni Size's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Roni Size's catalogue
- Low end:
- more bass-heavy than 97% of Roni Size's catalogue
- Groove:
- less groove-driven than 96% of Roni Size's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Let's Get It On - 2008 Re-edit in?
Let's Get It On - 2008 Re-edit by Roni Size is in D♭ major, or 3B on the Camelot wheel.
What BPM is Let's Get It On - 2008 Re-edit?
Let's Get It On - 2008 Re-edit runs at 169 BPM, a very fast track.
What mixes well with Let's Get It On - 2008 Re-edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Let's Get It On - 2008 Re-edit good for peak time?
With energy 7 out of 100 at 169 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 169 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 159-179 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 169 — beatmatch without a big tempo pull.
More drum n bass
More from Roni Size
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 169 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.