P.B.E. (Elektrical Storm)
- BPM
- 158
- Half-time
- 79
- Open Key
- 9d
- Energy
- 17/100
- Pop
- 0/100
- Length
- 2:39
- Released
- 1999
- Genre
- Drum N Bass
- Loudness
- -21.9 dB
- ISRC
- GBCJY1900248
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A fast drum n bass cut, P.B.E. (Elektrical Storm) sits in A♭ major (4B) at 158 BPM. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. A 1999 production that still circulates in sets. Calmer than 99% of London Elektricity's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of London Elektricity's catalogue
- Groove:
- groovier than 87% of London Elektricity's catalogue
- Brightness:
- brighter than 84% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is P.B.E. (Elektrical Storm) in?
P.B.E. (Elektrical Storm) by London Elektricity is in A♭ major, or 4B on the Camelot wheel.
What BPM is P.B.E. (Elektrical Storm)?
P.B.E. (Elektrical Storm) runs at 158 BPM, a fast track.
What mixes well with P.B.E. (Elektrical Storm)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is P.B.E. (Elektrical Storm) good for peak time?
With energy 17 out of 100 at 158 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 158 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 149-167 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 158 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 158 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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