That Thing You Did - Kimyan Law Remix
- Key
- 8A · A minor
- BPM
- 74
- Double-time
- 148
- Open Key
- 1m
- Energy
- 34/100
- Pop
- 3/100
- Length
- 4:28
- Released
- 2016
- Album
- Are We There Yet? (The Med School Scans)
- Genre
- Drum N Bass
- Loudness
- -12.2 dB
- ISRC
- GBCJY1600161
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- That Thing You Didoriginal8B · 173
Against the original (8B at 173 BPM), this version runs 99 BPM slower and moves the key from 8B to 8A.
A drum n bass cut, That Thing You Did - Kimyan Law Remix sits in A minor (8A) at 74 BPM. The feel is brooding and low-slung. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Slower than 99% of London Elektricity's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 95% of London Elektricity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is That Thing You Did - Kimyan Law Remix in?
That Thing You Did - Kimyan Law Remix by London Elektricity is in A minor, or 8A on the Camelot wheel.
What BPM is That Thing You Did - Kimyan Law Remix?
That Thing You Did - Kimyan Law Remix runs at 74 BPM.
What mixes well with That Thing You Did - Kimyan Law Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is That Thing You Did - Kimyan Law Remix good for peak time?
With energy 34 out of 100 at 74 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 74 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 70-78 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 74 — beatmatch without a big tempo pull.
More drum n bass
More from London Elektricity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 74 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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