Kemistry by Goldie cover art

Kemistry

Goldie

30s preview

Key
5A · C minor
BPM
150
Half-time
75
Open Key
10m
Energy
61/100
Pop
0/100
Length
5:31
Released
1995
Genre
Drum N Bass
Loudness
-7.3 dB
Dynamics
11.9 dB
ISRC
GBBHF1311061

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast drum n bass cut, Kemistry sits in C minor (5A) at 150 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 1995 production that still circulates in sets. More underground than 99% of Goldie's catalogue. In a set it works best as a high-intensity peak cut.

Low end:
more bass-heavy than 94% of Goldie's catalogue
Energy:
calmer than 89% of Goldie's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood13Dark
Groove56
Acoustic0
Instrumental89
Live9
Speech3
darkpartyinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Kemistry in?

Kemistry by Goldie is in C minor, or 5A on the Camelot wheel.

What BPM is Kemistry?

Kemistry runs at 150 BPM, a fast track.

What mixes well with Kemistry?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Kemistry good for peak time?

With energy 61 out of 100 at 150 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 150 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 150 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Goldie

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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