Selecta
30s preview
- BPM
- 155
- Half-time
- 78
- Open Key
- 10d
- Energy
- 75/100
- Pop
- 9/100
- Length
- 5:34
- Released
- 1994
- Genre
- Drum N Bass
- Loudness
- -7.8 dB
- Dynamics
- 17.9 dB
- ISRC
- GBNZT2401802
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Selecta runs 155 BPM in E♭ major (5B), a fast drum n bass record. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 1994 production that still circulates in sets. More treble-tilted than 96% of Ed Rush's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 87% of Ed Rush's catalogue
- Tempo:
- slower than 81% of Ed Rush's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 24%
- High
- 2.5-11 kHz
FAQ
What key is Selecta in?
Selecta by Ed Rush is in E♭ major, or 5B on the Camelot wheel.
What BPM is Selecta?
Selecta runs at 155 BPM, a fast track.
What mixes well with Selecta?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Selecta good for peak time?
With energy 75 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 155 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More drum n bass
More from Ed Rush
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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