Fury - The Origin by Goldie cover art

Fury - The Origin

Goldie

30s preview

Key
3B · D♭ major
BPM
161
Half-time
81
Open Key
8d
Energy
67/100
Pop
4/100
Length
6:30
Released
1998
Genre
Drum N Bass
Loudness
-10.4 dB
Dynamics
21.6 dB
ISRC
GBAMY9700367

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Fury - The Origin runs 161 BPM in D♭ major (3B), a very fast drum n bass record. It reads as punchy, neutral in mood. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 22 dB). A 1998 production that still circulates in sets. Brighter than 84% of Goldie's catalogue. In a set it works best as a high-intensity peak cut.

Energy:
calmer than 83% of Goldie's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood53Balanced
Groove60
Acoustic0
Instrumental23
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Fury - The Origin in?

Fury - The Origin by Goldie is in D♭ major, or 3B on the Camelot wheel.

What BPM is Fury - The Origin?

Fury - The Origin runs at 161 BPM, a very fast track.

What mixes well with Fury - The Origin?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Fury - The Origin good for peak time?

With energy 67 out of 100 at 161 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 161 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 151-171 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 161 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Goldie

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 161 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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