Whole in the Speaker
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 3m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 5:45
- Released
- 2019
- Genre
- Drum N Bass
- Loudness
- -2.6 dB
- Dynamics
- 14.0 dB
- ISRC
- GBCJY1900010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Whole in the Speaker: very fast drum n bass, B minor (10A), 160 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of S.P.Y's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- brighter than 93% of S.P.Y's catalogue
- Groove:
- groovier than 83% of S.P.Y's catalogue
- Energy:
- hotter than 81% of S.P.Y's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Whole in the Speaker in?
Whole in the Speaker by S.P.Y is in B minor, or 10A on the Camelot wheel.
What BPM is Whole in the Speaker?
Whole in the Speaker runs at 160 BPM, a very fast track.
What mixes well with Whole in the Speaker?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Whole in the Speaker good for peak time?
With energy 99 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 160 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More drum n bass
More from S.P.Y
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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