Technology (Boymerang Remix) (2024 Remaster)
- BPM
- 165
- Half-time
- 83
- Open Key
- 8m
- Energy
- 97/100
- Pop
- 8/100
- Length
- 8:48
- Released
- 2024
- Genre
- Drum N Bass
- Loudness
- -2.4 dB
- ISRC
- GBNZT2401801
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Technology (Boymerang Remix) (2024 Remaster) runs 165 BPM in B♭ minor (3A), a very fast drum n bass record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. Slower than 76% of Ed Rush's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 76% of Ed Rush's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Technology (Boymerang Remix) (2024 Remaster) in?
Technology (Boymerang Remix) (2024 Remaster) by Ed Rush is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Technology (Boymerang Remix) (2024 Remaster)?
Technology (Boymerang Remix) (2024 Remaster) runs at 165 BPM, a very fast track.
What mixes well with Technology (Boymerang Remix) (2024 Remaster)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Technology (Boymerang Remix) (2024 Remaster) good for peak time?
With energy 97 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![What You Won't Do for Love [radio edit] by Goldie cover art](https://i.scdn.co/image/ab67616d00001e02bc6a593d8441943bcc378f41){kind=small}
How to mix it
In 3A at 165 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More drum n bass
More from Ed Rush
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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