
What You Won't Do for Love (Left Hand Man mix)
- BPM
- 167
- Half-time
- 84
- Open Key
- 8d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 4:53
- Released
- 1998
- Genre
- Drum N Bass
- Loudness
- -5.4 dB
- ISRC
- GBAAP1900110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What You Won't Do for Love [radio edit]version4A · 167
What You Won't Do for Love (Left Hand Man mix) is a very fast drum n bass track in D♭ major (3B) at 167 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. A 1998 production that still circulates in sets. More underground than 99% of Goldie's catalogue. In a set it works best as a high-intensity peak cut.
- Brightness:
- brighter than 84% of Goldie's catalogue
- Groove:
- groovier than 78% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is What You Won't Do for Love (Left Hand Man mix) in?
What You Won't Do for Love (Left Hand Man mix) by Goldie is in D♭ major, or 3B on the Camelot wheel.
What BPM is What You Won't Do for Love (Left Hand Man mix)?
What You Won't Do for Love (Left Hand Man mix) runs at 167 BPM, a very fast track.
What mixes well with What You Won't Do for Love (Left Hand Man mix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is What You Won't Do for Love (Left Hand Man mix) good for peak time?
With energy 91 out of 100 at 167 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 167 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 157-177 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 167 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 167 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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