Saint Darkie
30s preview
- BPM
- 165
- Half-time
- 83
- Open Key
- 8m
- Energy
- 98/100
- Pop
- 2/100
- Length
- 6:08
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -2.5 dB
- Dynamics
- 12.0 dB
- ISRC
- GBAAP2100018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast drum n bass cut, Saint Darkie sits in B♭ minor (3A) at 165 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 97% of Goldie's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 92% of Goldie's catalogue
- Low end:
- more treble-tilted than 80% of Goldie's catalogue
- Reach:
- more underground than 79% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Saint Darkie in?
Saint Darkie by Goldie is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Saint Darkie?
Saint Darkie runs at 165 BPM, a very fast track.
What mixes well with Saint Darkie?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Saint Darkie good for peak time?
With energy 98 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![What You Won't Do for Love [radio edit] by Goldie cover art](https://i.scdn.co/image/ab67616d00001e02bc6a593d8441943bcc378f41){kind=small}
How to mix it
In 3A at 165 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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