Trip To The Moon Pt.1 - Danny Byrd Remix
30s preview
- BPM
- 166
- Half-time
- 83
- Open Key
- 7d
- Energy
- 98/100
- Pop
- 2/100
- Length
- 4:26
- Released
- 2021
- Album
- Together - Album Sampler Pt.1
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- Dynamics
- 14.1 dB
- ISRC
- GB8KE2157873
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trip To The Moon Pt.1 - Danny Byrd Remixremix2B · 166
Trip To The Moon Pt.1 - Danny Byrd Remix is a very fast drum n bass track in F♯ major (2B) at 166 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Brighter than 95% of Danny Byrd's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 80% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Trip To The Moon Pt.1 - Danny Byrd Remix in?
Trip To The Moon Pt.1 - Danny Byrd Remix by Danny Byrd is in F♯ major, or 2B on the Camelot wheel.
What BPM is Trip To The Moon Pt.1 - Danny Byrd Remix?
Trip To The Moon Pt.1 - Danny Byrd Remix runs at 166 BPM, a very fast track.
What mixes well with Trip To The Moon Pt.1 - Danny Byrd Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Trip To The Moon Pt.1 - Danny Byrd Remix good for peak time?
With energy 98 out of 100 at 166 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 166 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 156-176 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 166 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 166 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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