![What You Won't Do for Love [radio edit] by Goldie cover art](https://i.scdn.co/image/ab67616d00001e02bc6a593d8441943bcc378f41)
What You Won't Do for Love [radio edit]
- Key
- 4A · F minor
- BPM
- 167
- Half-time
- 84
- Open Key
- 9m
- Energy
- 84/100
- Pop
- 16/100
- Length
- 4:17
- Released
- 2023
- Genre
- Drum N Bass
- Loudness
- -6.8 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What You Won't Do for Love (Left Hand Man mix)original3B · 167
Against the original (3B at 167 BPM), this version holds the same tempo and moves the key from 3B to 4A.
What You Won't Do for Love [radio edit] is a very fast drum n bass track in F minor (4A) at 167 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Better known than 86% of Goldie's catalogue. In a set it works best as a high-intensity peak cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is What You Won't Do for Love [radio edit] in?
What You Won't Do for Love [radio edit] by Goldie is in F minor, or 4A on the Camelot wheel.
What BPM is What You Won't Do for Love [radio edit]?
What You Won't Do for Love [radio edit] runs at 167 BPM, a very fast track.
What mixes well with What You Won't Do for Love [radio edit]?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is What You Won't Do for Love [radio edit] good for peak time?
With energy 84 out of 100 at 167 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 167 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 157-177 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 167 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 167 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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